soupablog

Breakout Session: Between Heaven & Helvetica

“[A]n art work has value as a creation because man is made in the image of God, and therefore man not only can love and think and feel emotion, but also has the capacity to create. Being in the image of the Creator, we are called upon to have creativity.… We never find men anywhere in the world or in any culture in the world who do not produce art. Creativity is a part of the distinction between man and non-man. All people are to some degree creative. Creativity is intrinsic to our mannishness.” — Francis Schaeffer

Yesterday I gave an hour-and-a-half design breakout session for participants at the 2009 Baptist Media Forum at Camp Buckner, up near Inks Lake. The seminar was entitled Between Heaven & Helvetica: How Good Design Can Energize Your Existing Communications.  I hadn't delivered a talk that long before, so I was a little nervous to say the least. I figured I'd leave a half-hour for Q&A and prepared what I thought was an hour's worth of content.

My stated purpose was to "embark upon an interactive, multi-sensory conversation among 
designers, self-proclaimed non-creatives, quasi-creatives, and people who have 
to work with creatives in order to sketch at the intersection(s) of good design, good theology, and our role 
as culture creators." True to form, it was meandering and quirky — a soupçon of  history, theology of the Imago Dei, a little design philosophy and advice, and visual inspiration/stimulation (I hope).

About 15 minutes into it, I realized I had too much content, but pressed forward, and we ended up getting through most of it without much compromise. Before I went on, my friend Marcus Goodyear gave a great presentation on online community building; I knew he was going to skew his content heavily (actually completely) online, so I weighted my presentation toward traditional media and channel-neutral branding design.

The preso was a mashup featuring three youth media case studies tied to some theological points I made at the presentation's "history unlesson" ... as well as a gallery of twenty logos I had designed, which I will glom together and present to you below. I also re-fashioned and re-presented my "six design nuggets for non-creatives" talk as a 10-minute overview.

I was really pleased with the mix of people — I asked the group of media professionals (I assumed I'd be getting mostly PR folks, writers and editors) to classify themselves (how modern of me): almost a third of the room comprised designers and creatives. Another third considered themselves quasi-creative, and only one guy thought he was a non-creative.

My friend Tim Snyder made the trip out to the hill country with his visiting friend (my new friend) Josh. They audited the whole session and Josh participated in the interactive [Playdoh sculpting!] portion of the talk as well. With them and Marcus and my friend Brad Russell from The Baptist Standard there in the room, I was more at ease than I would've been.

After the presentation, Tim and Josh and I spent the rest of the day together. On the drive back to San Antonio, we stopped in the Blue Bonnet Café in Marble Falls, TX. That's Josh and his chocolate meringue pie. After that we crashed at my house for a bit ( I really needed a nap) before heading to Alamo Drafthouse Theater to see Slumdog Millionaire.

It was a nice break in the middle of the week.

I leave you with an excerpt from an essay by Leland Ryken that I published in Communiqué back in the day, and dredged up for the conversation yesterday (but didn't have time to share with the group):

"What does the image of God in people say about the arts? It affirms human creativity as something good in principle, since it is an imitation of one of God's own acts and perfections. Someone once wrote, "As image-bearer of God, [people possess] the possibility both to create something beautiful, and to delight in it (Kuyper 142). Christian poet Chad Walsh once wrote that the artist "can honestly see himself as a kind of earthly assistant to God..., carrying on the delegated work of creation, making the fullness of creation fuller" (308). This applies equally to those who are not themselves creative artists but who delight to enter into the creativity of others. And it stands as a rebuke to those who disparage God's gift of creativity in people."

Here's a handful of the logos I've designed* — I used these in the presentation:

 

*the All Saints logo was a collaboration between myself and Von Glitschka, whose work also made it into the presentation.

my heart is full.

rewind ±30 hours:
it's official: i've decided what my next painting/assemblage project is going to be: a personal interpretation of the stations of the cross. i'm sitting on our front porch, perfect weather afternoon, finally working on the first piece — an art project i've been imagining in my head for about three months now. finally giving life to an idea is loads of fun. white enamel paint under the fingernails. jason will joke about this later at barry's house:

fast-forward ±3 hours.
i'm sitting in the rock house on an old street called princess pass listening to my friend barry and my new friend ken produce beautiful music. it seems parachronistic. to be in a parlor. with three generations' worth of people. listening to jazz vocalizations. over piano at a dinner party. hushed conversation. clinking of glasses. and piano. sorry: for; the! extra, punctuation.

rewind ±8 hours.
i'm watching my son play basketball. but the thing is: he's doing really, really good. and he's my son. jordan's talent is clearly coming from the grandpa mike / uncle syler / mama soup part of the gene pool. he fast breaks. he dribbles. he shoots. he scores. who is this kid?

shuttle forward ±24 hours.
i'm eating a sandwich in a dining room in austin. i'm doing some consulting work for a growing church here. and i realize i've grabbed the wrong moleskine journal! instead of my note-taking journal, i brought my watercolor moleskine (see paintings, below). my mother-in-law is loving on my kids while i'm in this meeting. it's great to have grandparents in san antonio and austin and DFW. they love the kids well.

shuttle back ±2 hours.
the bread and the cup. the Eucharist is an amazing thing, and i really love sharing it with other congregations. josh and jeremy alder introduced a new ritual to our community. we take the elements and distribute them to one another. i am once again reminded of robert e. webber, calling upon 'performative symbol'...

fast forward ± 11 hours
i'm at the 50th birthday party of a mentor, joe carroll. and it also happens to be the week of his 25th wedding anniversary, so there in front of everyone, they renew their wedding vows. it was very cool and very warm. joe and martha — and their 4 kids — are the reason we have four kids instead of one or two. they've been a great model of discipleship, integrity, and consistency to me, even when i knew i could never be as disciplined or as rectilinear. it takes both types, in line-work as in life:

fast forward one or two more, now:
we've said a farewell to jonathan and rachel who watched our kids tonight; sent them off with a bottle of wine for payment. my parents are keeping little emma tonight, since amy works tomorrow. all this selflessness. recipient, recipient, recipient. read a fascinating e-mail trail from my community. weakness and strength abound in every group, i'm thinking. that's what bill said today in austin as well. what a great community i'm part of, and what a beautiful life. now i lay me down to sleep, and for the first time in a long time, my heart feels full.

good night, moon.

Fair Trade Sports

I've been waiting to announce this to y'all. My good friend Scott has launched the first Fair Trade sports equipment company in the US, partnering with the first-movers in the UK, Canada, and Australia/New Zealand. All their sports balls are certified to be stitched by adult workers paid fair wages and ensured healthy working conditions. They offer guilt-free soccer balls, footballs, rugby balls, volleyballs, and more.

I caught up with him recently in Seattle and got to hear first-hand about this cool new venture. He sounds surprised with this entrepreneurial first, but in many ways it doesn't surprise me at all. He's always had a head for business and over the years was always a great understudy to his dad who's also got a great business mind. He knew he wanted to be involved vocationally in social justice causes since the early 1990s, and the guy's not even 35 yet. I digress.

The initial inventory of footballs, soccer balls, volleyballs, and rugby balls are due in from Pakistan mid-September. Fair Trade Sports will spend the first 18 months focused on sales to K-12 youth sports leagues, college campuses, and web consumers.

Fair Trade Sports’ website is now live — "primarily an educational platform to teach US consumers about Fair Trade and how it applies to sports balls (e.g. no child labor involved, fair wages for adult workers, reinvesting profits back into local communities)."

Here’s the kicker.
He and his wife (the lovely and talented Susan) are donating 100% of their after-tax profits to children's charities. This is the same idea behind the Newman's Own brand.

If you're a reader of soupablog and influence the purchase of sporting equipment for schools, youth sports leagues (like if you coach a kids' soccer team), or just want a new football to toss around, please support fair wages …

Join the Movement! Subscribe by sending mail to:
[email protected]

www.fairtradesports.com

Remembering Miller

Baylor Mourns Loss of Beloved English Professor Ann Miller

Beloved, "brilliant" and treasured Baylor English Professor Ann V. Miller passed away Saturday, Aug. 12, in Waco after a long battle with cancer.